The Tang Xianzu Memorial Hall in Fuzhou is a comprehensive cultural venue built to commemorate Tang Xianzu, one of the world’s hundred great cultural figures and a master of Ming‑dynasty drama in China. It is also one of Jiangxi Province’s ten major memorial halls dedicated to historical luminaries.
Tang Xianzu’s Story | Setting High Ambitions in Youth
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Time:
2023-10-11
Set lofty aspirations in youth.
At fourteen, Tang Xianzu entered the county school. The county school was, in earlier times, the local institution where shengyuan studied. Students were admitted to the county school only after passing the preliminary tongshi examination, in order to prepare for higher-level exams. This was called 'advancing to study', 'entering the school', or 'entering the pan' (pan referring to a ceremonial threshold of official education). Candidates were called xiangsheng or shengyuan, commonly known as xiucai. A xiucai would sit for the juren examination, and a juren would compete for the jinshi degree. A year before entering the county school, Tang Xianzu had already begun studying under Mr. Xu Liangfu in Fuzhou and had won his regard.
Being admitted to the county school, Tang Xianzu was naturally overjoyed and devoted himself to his studies each day. Yet among his classmates were a few spoiled aristocrats—what we would call “second-generation officials” or “second-generation rich”—who, confident in their privileged family backgrounds, paid no heed to their studies at all. One day they went horseback riding; the next, they took their dogs for a stroll, merely passing the time at the county school. After all, during the spring or autumn imperial examinations, those with powerful connections could simply go through the motions and still be guaranteed success, ascending the golden list and embarking on a career of rapid advancement and bright prospects. Tang Xianzu found this deeply distasteful and often urged them to focus on their studies. But far from heeding his advice, they mocked him in every way.
A fellow named Zhang Sheng, who shared a dormitory with Tang Xianzu, came from a family with powerful connections in the capital; his father was one of the wealthiest men in the region, with pockets always bulging. From an early age, he had been accustomed to wielding authority and behaving carelessly, showing no ambition whatsoever—indeed, he had even secured his place at the county academy through patronage and by paying off the right people. One day, seeing Tang Xianzu, as usual, staying up late by candlelight to study, Zhang Sheng remarked: “What good is all this reading? My father never went to school, yet he’s now rich beyond measure; my relatives, too, never studied, and yet they hold high office at court. As for me, I haven’t much schooling either, but just stretch out my hand, and I can have whatever I want. You’d do well to keep on studying—you might even manage to pass the imperial examinations and become the top scholar some day!” With that, he burst into loud laughter. The other idle young gentlemen in the dormitory joined in, finding Tang Xianzu, still so young, rather absurdly earnest—and oddly endearing in his naivety.

Tang Xianzu knew they were mocking him, yet he did not take offense. He composed a poem titled “Presented to My Roommates Upon Entering School,” which he shared with his dormitory mates to express his aspirations. The poem reads:
The Way is cultivated with childlike wisdom; the noble and dignified enter the mystery of the Tao.
Why speak of being bound by worldly pursuits, and thus entangled with the affairs of the world?
After the weak and feeble students, came the proud and spirited schoolboys.
How often has the blue sash been laid aside? The lacquered tablet should naturally be passed down.
The jade‑eared cluster of pearls gleams, while the shimmering scales emerge from the purple abyss.
Tang and Yu revered the elders; Confucius and Mencius were the sages of old.
The Lesser Accumulation still holds the rain, while the Medium Trust aspires to reach the heavens.
Gao Ming once had an old appearance, yet his hair still falls neatly to his waist.
To you, I shall lay down my mat and speak; let not the chapter on felling wood be forgotten.
In the poem, the line “Tang and Yu shall be our fathers and elders; Confucius and Mozi are our forebears” expresses the poet’s resolve to draw upon the wisdom of all schools of thought, to emulate such sages as Yao and Shun of the Tang and Yu dynasties, as well as Confucius and Mozi, with the aim of achieving national prosperity and social harmony, and of making contributions that foster amicable relations among all. At the poem’s conclusion, the author deliberately invokes the “Farming Wood” chapter. This piece, found in the “Xiao Ya” section of the Book of Songs, is a folk song traditionally sung at banquets celebrating the gathering of relatives and friends. The first stanza uses the image of birds calling to one another to illustrate that human beings cannot do without kin and close companions; the second declares the need to welcome them with sumptuous feasts and heartfelt hospitality; and the third emphasizes the importance of sincere mutual regard and the observance of proper rites in interactions between friends and family. The poem thus speaks of the natural bonds of friendship and kinship, reflecting the genuine affection ancient people felt toward their loved ones. By invoking this poetic imagery, Tang Xianzu exhorts his fellow students to treat their relatives and friends with care and respect.
Upon reading Tang Xianzu’s poem, Zhang Sheng and the others blushed and lowered their heads. Each of them then set aside their idle thoughts and turned to their studies, and the atmosphere at the county academy underwent a profound transformation.