The Tang Xianzu Memorial Hall in Fuzhou is a comprehensive cultural venue built to commemorate Tang Xianzu, one of the world’s hundred great cultural figures and a master of Ming‑dynasty drama in China. It is also one of Jiangxi Province’s ten major memorial halls dedicated to historical luminaries.

Exhibition Information | “The Four Dreams of Linchuan—Tang Xianzu’s Life and Dramatic Works” Opens at the Anqing Museum


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2026-05-15

May 18

International Museum Day

International

Museum Day

Splendor of the Collection

Attend a Feast of Civilization

May 18 – July 26




As the 2026 International Museum Day approaches, to celebrate this major cultural event and carry forward China’s outstanding opera heritage, the Tang Xianzu Memorial Hall in Fuzhou, in collaboration with the Anqing Museum, the Guangdong Provincial Museum, and the Dayu County Museum, is co‑hosting the exhibition “The Four Dreams of Linchuan: Tang Xianzu’s Life and His Dramatic Works.” The exhibition will officially open to the public on May 18, International Museum Day, featuring a rich array of artifacts that allow visitors to experience the charm of these cultural treasures up close, embarking together on a timeless cultural journey.






The Four Dreams of Linchuan—Tang Xianzu’s Life and His Dramas


The Four Dreams of Linchuan—Tang Xianzu’s Life and His Dramas

Time: May 18 – July 26

Location: Temporary Exhibition Hall C3, First Floor, Anqing Museum

Tang Xianzu (1550–1616), a native of Linchuan in Jiangxi Province, was a renowned dramatist and literary figure of the Ming Dynasty. He was named one of the World’s Hundred Cultural Celebrities by UNESCO and is often hailed as the “Shakespeare of the East.” Throughout his life, he composed more than 2,200 poems, penned nearly 700 prose pieces and letters, and created the celebrated “Four Dreams of Linchuan”—comprising The Peony Pavilion, The Purple Hairpin, The Story of Handan, and The Dream of the South—his most outstanding theatrical masterpieces. These works use dreams to explore the human condition, portray the complexities of human nature, critique autocratic conventions and rigid Confucian norms, and restore the radiant essence of humanity. For over four centuries, they have remained perennially popular, adapted and performed across numerous Chinese opera traditions, including Kunqu, Peking Opera, and Huangmei Opera, and continue to shine on Chinese stages today.

This exhibition is divided into five sections, featuring a total of 204 items that illuminate Tang Xianzu’s life, his achievements as a playwright, his cultural influence, and his enduring contemporary relevance.






Anqing Museum

The Anqing Museum is located at No. 8 Qianjiang Road, Yingjiang District, Anqing City, Anhui Province. It operates under a single institutional umbrella alongside the Anhui China Huangmei Opera Museum and the Anqing Revolutionary Relics Exhibition Hall—also known as the Huang Zhen Memorial Hall—sharing one administrative body. The museum covers a total floor area of 40,034 square meters, with an exhibition space of 11,680 square meters. As a national key museum and a national first-class museum, it focuses primarily on historical relics, revolutionary artifacts, and theatrical heritage. The museum’s collection comprises more than 10,000 items, spanning categories such as paleontological fossils, stone tools, ceramics, bronzes, miscellaneous objects, calligraphy and paintings, revolutionary relics, and theatrical artifacts.



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Compiled by: Jiang Yuanping | Photography by: Xu Songlin   | Preliminary Review: Deng Chao   | End Reviewer: Rao Fang


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